Centrale Sans Rounded Font Familyrar: The Best Choice for Web and Print Design
- ruipersreposwhira
- Aug 13, 2023
- 6 min read
Century Gothic Font is a sans-serif typeface that has been highly used for advertisement purpose since it releases. It is an elegant typeface that is based on an extended Gothic family. The font family came into being many years ago, after which several Versions and styles originated. The Century Gothic font is one of them that is highly used and highly recommended for different purposes.
Centrale Sans Rounded Font Familyrar
It is a perfect sans-serif typeface family that is mainly used for publishing purposes. However, people avoid using it in business plans because of being trendy font. However, it has an enlarged usage and has been used in multiple domains.
It is a geometric sans-serif typeface that comprises a large X-height and is perfect for small-size texts. It makes the content readable and legible. You can surely give this font a try in your projects.
Stanley Morison, who was the friend of Eric Gill involved him to design a full metal type family fonts. Target was to compete for German sans-serif fonts of the 1920s. Published in titling capitals Gill Sans Font had a lower-case font style in a short period of time. He wished to design the fonts classical and modern with cleanly outlook
Gotham is a geometric sans-serif typeface designed by Tobias Frere-Jones. This font family has many variations of fonts and also has web font versions but it has to be purchased, so I have found Montserrat to be the best suited alternative font from google.
Museo Sans is a sans-serif typefaces by Exljbris Font Foundry. Though some fonts are free in this font family like Museo Sans 500 and Museo Sans 500 Italic and you can use it as a desktop and as web kit fonts but rest of the fonts in this font family are licensed, so for this best alternative google font is Noto Sans.
Frutiger is a sans-serif typeface designed by Adrian Frutiger, this font is neither purely geometric nor humanistic it is designed in such a way that each individual character is quickly and easily recognized.
VAG Rounded is a geometric sans-serif typeface designed by Gerry Barney, it has 16 styles and weights. By the name you can guess the typeface is bit rounded and a free alternative can be Fredoka One it also has rounded typeface looks similar especially for bold weight.if(typeof ez_ad_units != 'undefined')ez_ad_units.push([[336,280],'frontendresource_com-netboard-1','ezslot_17',148,'0','0']);__ez_fad_position('div-gpt-ad-frontendresource_com-netboard-1-0');
Myriad Pro is a humanist sans-serif typeface designed by Robert Slimbach and Carol Twombly for Adobe Systems. Though you can find webkit version for using it on your website but when it comes to google font alternatives you can use Hind Guntur.
Step into the future with Jura, a modernized sans-serif font family. Inspired by Eurostile, Jura is an excellent font for projects related to technology and innovation. It works well in web body copy, as well as different displays. It offers four weights (light, book, medium, and demi-bold) and multilingual support.
Himalaya Set Type is a beautiful font duo (script and sans-serif) for your next project, perfect for adventurers and dreamers alike. The hand-drawn characters have a rough edge, perfect for posters, stationery, product design, and more. You can make it your own by using stylistic alternates and glyphs.
Coming with 600+ characters and in seven styles (light, extra-light, regular, medium, semi-bold, bold, and extra-bold), JUST Sans is a highly legible and beautiful modern geometric sans-serif font that would be perfect for use on any project. It also includes a bonus variable font.
Bebas Neue is a wonderfully versatile sans-serif font family. With five weights (thin, light, book, regular, and bold) that take cues from the original Bebas Neue font family, this new version works even better for print and web. With multilingual support and the lightness of presentation, Bebas Neue works perfectly!
Originally designed as an all-caps sans-serif typeface, Mohave has now transformed into a versatile font family. It currently offers four weights (light, regular, medium, and bold) with matching italics. The neutral character body shapes make the Mohave typeface perfect for a variety of branding materials, as well as web displays.
Elegant (with a dramatic twist), Canter is a phenomenal sans-serif typeface choice for your next project. Bold lines and sharp turns work together to provide you with an outstanding font family. Canter offers six display types (including Canter 3D, shadow, and outline) perfect for headlines, posters, and other branding materials.
Clean and structured, Pier is the perfect sans-serif typeface for modern brands. This geometric font comes with beautifully designed uppercase and lowercase characters, punctuation, multilingual support through special characters, and numerals. You can experiment with six different weights (with matching italics variants) to create something truly beautiful.
Different yet similar, Big John and Slim Joe are two sides of the same coin. Big John is a bold and beautiful version, while Slim Joe is thin and modern. Both fonts in the duo are all-caps sans serifs, and they play off of each other beautifully to emphasize contrasts.
Funky and fresh, Coves sans-serif comes with a full character range, from uppercase and lowercase to special characters and accents. Its simple, rounded edges interact with slanted lines to create a vibrant atmosphere beloved by modern and trendy brands. Coves sans-serif is free, so add it to your toolkit ASAP!
Originally designed as a thin font, Raleway has become a standard go-to font and expanded into a sans-serif font family. It currently offers nine weights with italics and a variable version. Stylistic alternates and discretionary ligatures make Raleway an incredibly elegant choice for the web.
Droid Sans Mono is a font family made for Android, which tells you a lot about its open-source aesthetic. It mimics the look of typewriters while retaining a unique feeling. Droid Sans Mono feels like a serif but retains the sans-serif legibility thanks to its sharp corners and bold lines.
Few years ago the government of the region has decided to design a new typeface to enable its 28.000 citizens to use all four languages in a uniform manner. The result is a beautiful, rich and professional sans-serif free font. The family includes a bold, heavy, italic, light and regular weights. Examples.
Romeral offers aside from optimal legibility an elegant style, rounded forms and sharp geometric structure of its letters. Romeral is designed to produce a noticeable visual impact that invites the audience to the reading due to its sizable thickness. Interestingly enough, the basic idea of this OpenType-font was to find a way to fill the color titles zone in order to create a comfortable atmosphere for the reading experience. It can be used for body copy and headlines. Free to use in personal and commercial projects.
George Triantafyllakos was born in Thessaloniki, Greece, in 1980. In 2004, he was a PhD student, Department of Informatics, Aristotle University of Thessaloniki. Founder, with Manolis Pratsinakis, of Backpacker. He set up the independent foundry Atypical. His typefaces at Atypical: Atypical (2014), Burger (2014), Cornelius (2014, art deco), Direct (2014, sans), Donmeh (2016), Friday (2014), JoyD (2015, flared and lapidary), Marx in France (2014), Marx in USA (2014, condensed fashion mag style with teardrops), Monotonous (2014, monoline and monospaced), PhD (2014, squarish), Slab (2014), Vs (2017), Walter (2014, art deco, with Hollow and Stencil styles, and a possibility of layering with patterns). At the open source type foundry Velvetyne, he added the Greek chracters to Lucas Le Bihan's Sporting Grotesque (2016). Dafont link. Fontsquirrel link. Klingspor link. Kernest link. iFontMaker link.
Displaay is Martin Vacha's type foundry in Prague set up in 2014. Martin Vacha studied at the Academy of Arts, Architecture and Design in Prague. His early fonts were designed during his studies at UMPRUM in Prague. His typefaces: Greed (2020). A narrow sans (+variable font with a weight axis) originally commissioned by Anymade Studio for Polansky Gallery. Ofform (2019). A modular folded paper font by Marek Suchanek, Kristina Jandova and Martin Vacha that started out as a custom typeface for the fashion brand Ofform 3D. Dazzed (2019). Gellix BMM. Matter (2016-2017). A sans inspired by Akzidenz-Grotesk (1896, Berthold Type Foundry), Theinhardt (2009, François Rappo), Classic Grotesque (1926, Frank Hinman Pierpont), Neuzeit Grotesk (1928, Wilhelm Pischner), Helvetica (1957, Max Miedinger and Eduard Hoffmann), Unica (Team '77, Lineto), Plain (2013, François Rappo), Futura (1927, Paul Renner) and Avenir (1988, Adrian Frutiger). Matter Mono was added in 2021. Haffer (2021) is a cold version of Matter with strict horizontal or vertical terminals. Hellix (2011). A geometric sans with hipster elements. By 2020, he completed Fellix, Gellix, Hellix and Yellix. Natron (2012). A sans and its display companion, Natron Alt. Reckless (2012-2017). A text typeface inspired by Plantin and Times New Roman. Wallop (2013). A sans. Documan (2013). A rounded typeface that is part sans, part slab serif. In 2016, Marek Pistora and Martin Vacha published the technical, almost typewriter, sans typeface BC Sklonar at Briefcase Type: The Sklonar typeface was originally designed exclusively for Zdenek Sklenar's S Gallery's corporate identity, conceived by Studio Najbrt in 2011. Two years later however, the gallery, including several works of art, was destroyed in a gas explosion. During the time of its use, the typeface appeared in promotional materials, in exhibitions, and also in artistic publications. But first and foremost, it excellently complemented the clean gallery space created by architect Josef Pleskot.Roobert (2017). A bespoke typeface for Moogfest 2017 designed together with Anymade Studio. Roobert PX is a pixel font. Teodor (2019-2020). Martin writes: In Teodor you can find certain similarities with Romana (1892 Gustav F. Schroeder), Caslon 224 (1725 William Caslon and Edward Benguiat), Grouch (1970 Tom Carnase and Ronne Bonder) and Perpetua (1925 Eric Gill). It has a variable type option. Tobias (2019-2020), a transitional typeface with elements of Times, Times New Roman and Baskerville. Plus a variable font with a weight axis. 2ff7e9595c
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